In latest days, Tony Bennett—who died Friday on the age of 96—reportedly sang one final track whereas sitting at his piano. It was “Due to You,” his first hit, launched in 1951, and the only that propelled him to greater than seven a long time of fame, fortune, and legend. However it was all the time greater than a stepping stone. The place many artists downplay their early work, Bennett stored “Due to You” near his coronary heart. There’s a lot to recollect Bennett for, from his civil-rights activism to his stewardship of basic American pop songs. With out “Due to You,” none of it may need occurred.
When Bennett first recorded the track, he was a 24-year-old child from Queens whose slim discography had yielded little success. He had fought in World Battle II, taking part within the liberation of Nazi focus camps. As a part of the postwar occupying pressure, he sang in Military bands. His profession started in earnest at Columbia Information (then the house of Frank Sinatra), however nearly stalled out earlier than it started. He was on the verge of being dropped by the label when, in 1951, the orchestra chief Percy Religion randomly picked “Due to You” out of a pile of sheet music for Bennett to file.
“Due to You” has an attention-grabbing provenance. It was co-written by a Hammerstein—however not Oscar, the lyricist who famously collaborated with Richard Rodgers. As a substitute, it was written by Oscar’s far much less notable uncle, Arthur, alongside together with his artistic companion Dudley Wilkinson. At first, the track went nowhere, Hammerstein model however. However Religion’s probability choice modified all that. His recommendation to Bennett: “Simply loosen up. Use your pure voice and sing the track.” Higher counsel was by no means given. Previous to that, Bennett, by his personal admission, had been unsuccessfully making an attempt out an overwrought type. “Then,” he stated, “we determined I might simply sing actually and sincerely.”
Bennett introduced an eventful younger life—childhood hardship, the horrors of conflict—to bear on the heartbroken lull of “Due to You.” Religion’s orchestra curls round Bennett’s trembling voice and weightless cadence, knowledgeable by the singer’s lifelong adoration of jazz. There’s gravity to it, although. When he sings, “And I can smile due to you,” the subtext is easy however crushing: The thing of his love is the one factor that may maintain his spirit from collapsing. However the energy of that love is sufficient.
In his e-book The B Aspect: The Demise of Tin Pan Alley and the Rebirth of the Nice American Tune, Ben Yagoda calls Bennett “essentially the most justly celebrated singer of requirements”—but “Due to You” was nearly unknown, as was Bennett, when he recorded it. That obscurity didn’t final lengthy. The only offered greater than one million copies. It floated for weeks from sandwich-shop jukeboxes and sitting-room radios throughout the nation. Due to You grew to become the title of Bennett’s debut album; it set the stage for his rise, and for the resurgence of a mature pop type whose enchantment transcended teenybopper fads and reached a extra world-weary viewers.
Like lots of his contemporaries, together with his buddy Sinatra, Bennett grudgingly capitulated to the industrial pressures of rock music—however solely briefly. As he remarked in his memoir The Good Life, “I believed the world was dropping its thoughts” when rock began conquering the pop charts within the ’60s. His two albums from 1970, Tony Sings the Nice Hits of At this time! and Tony Bennett’s “One thing,” have been slowed down by half-hearted interpretations of the Beatles and Stevie Surprise. From that low level, he determined to double down on his ardour for jazz, even because the jazz world itself was pivoting away from dreamy crooners in the course of the fusion-heavy ’70s. Likewise, he by no means gave up on “Due to You.” It remained a staple of his stay units and a fan favourite, a young reminder of the fragile energy and ageless heat he possessed even in his youth.
Later a long time grew kinder to Bennett; by the flip of the century, the world had absolutely embraced him as soon as once more. “Due to You” was, partially, liable for the revival of his reputation; his rendition of this track with ok. d. lang helped make his 2006 album, Duets: An American Basic, a platinum-selling triumph. It additionally paved the best way for the ultimate chapter of Bennett’s embellished profession, through which he sang with youthful artists comparable to Amy Winehouse and Woman Gaga, guaranteeing his resonance for generations to come back.
Bennett may not have realized that “Due to You” could be his swan track, however it couldn’t have served as a greater bookend. If by some accident it had been his solely hit, it could nonetheless echo with ache. As historical past would have it, although, the track was each the opening of and the epitaph to his profession. “Due to You” made Bennett a star—and largely due to him, standard music retains a physique of track whose romance will ceaselessly make us swoon.